Critics Campus 2022 participant Digby Houghton questions the role of contemporary cinephiles in today’s climate.

Using Charlie Shackleton’s single-print film The Afterlight as a backdrop, Houghton explores ephemerality, memorabilia and bias in film.

The Afterlight screened as part of the MIFF 70 program.

MIFF Critics Campus is presented by VicScreen and supported by the University of Melbourne.