TapTap Ruin is concerned with the inter-changeability of signs with abstract images and linguistic forms with spatial forms. Writing becomes drawing and the reverse is also true.

The film sets out to make a spectacle from a small but new image world (Ars Poetica). Toying with 'the typical shit' of daily art and life and reflecting the lack of coherence and transcendence present m the routine of everyday life.

The film is a sort of drawing sculpture.