An experimental critique of modernism set in the dystopian present, exaggerating the sensuality of consumerism, capital and the comfort of unconscious thought.

A timely work in an era of rampant neoliberalism and the erasure of cultural heritage, Zachary Epcar’s latest takes an abstract approach to performing in formal spaces, unfolding in the eerie, eponymous location and its Le Corbusier–like development. The Canyon is a seductive and suspenseful examination of the mundane from a distinctive artist.