Short Film
This category is reserved for any film whose runtime is 40 minutes and 29 seconds or less (including credits). If the film is submitted into any Short category and the length is greater than this definition stipulates, MIFF will change the category and the Submitter will be required to pay the fee increase before the film is considered. Failure to do so will mean that the film will not be considered for the Festival and any and all fees paid prior will be forfeited.

Feature Film
This category is reserved for any film whose runtime is 40 minutes and 30 seconds or more (including credits). If the film is submitted into any Feature category and the length is less than this definition stipulates, MIFF will change the category; the film will still be considered for the Festival, but MIFF will not refund any portion of the fees paid.

Australian
If at least half of a film’s total film funding for development or production is from Australian sources, if at least half of the film was shot in Australia, and/or if at least half of the post-production work was done in Australia, a film can be classified as (at least) an Australian co-production and is thus eligible to be submitted into any Australian category. If the film is submitted in an Australian category and there is no indication that any of the corresponding definitions apply within the FilmFreeway fields ‘country of production’ or ‘country of filming’, MIFF will change the category and the Submitter will be required to pay the fee increase before the film is considered. Failure to do so will mean that the film will not be considered for the Festival, and any and all fees paid prior will be forfeited.

International
This includes all films that do not fall under the ‘Australian’ definition; to reiterate, Australian co-productions can be submitted into any Australian category. If the film is submitted into an International category and it meets the conditions for an Australian category, MIFF will change the category; the film will still be considered for the Festival, but MIFF will not refund any portion of the fees paid.

Experimental
This sub-category of short film is reserved for films that have an absence of narrative and/or include abstraction within the structure and conventions of the physical medium itself. It is not for non-linear and/or unconventional fiction films.

XR
This category is reserved for innovative works that utilise elements beyond traditional media. These works may include VR, MR and AR projects for various platforms, media installations, live performances or a combination of those formats. There is no limitation as to the length of the work.

The submission fee:

• must be made in USD, as collected by FilmFreeway
• is payable by Visa, Mastercard, American Express, JCB, Discover, Diners Club, UnionPay or PayPal, and accepted via FilmFreeway only
• cannot be waived (NO EXCEPTIONS)
• cannot be discounted, including for the submission of multiple films.

Please note:

• MIFF cannot provide refunds for submissions that do not meet eligibility criteria or are otherwise deemed to be disqualified under these regulations.
• Films submitted without payment WILL NOT BE ACCEPTED and the submission will be disqualified.

MIFF accepts online screeners only. Any submission sent via disc or any other physical format will not be considered for the Festival; should this be the only format in which the submitted film is delivered, the submission will be disqualified, and any and all fees paid will be forfeited. 

Short and Feature Preview Screener Formats

Submitted films must be either uploaded directly to FilmFreeway or supplied as a password-protected Vimeo link or unlisted YouTube link entered directly into the FilmFreeway online application form. Please note that:

• MIFF does not accept screeners via email; you must upload it directly to FilmFreeway or a third-party site such as Vimeo or YouTube.
• If the password changes at any point between the date of submission and the Festival, the Submitter must inform MIFF via email immediately. Any film submitted with an incorrect or outdated password cannot be considered for the Festival; in such a case, the submission will be disqualified, and any and all fees paid will be forfeited.
• If the screener is supplied via a Vimeo link, please ensure that the privacy settings are updated such that embedding is allowed; this ensures that MIFF can view the film via FilmFreeway.

XR Preview Screener Formats

• 360-degree videos should be uploaded directly to FilmFreeway and approved for download or supplied as a downloadable file from a third-party site such as Google Drive, Dropbox or WeTransfer.
• All other experiences (including interactive) must include a downloadable link containing all relevant materials from a third-party site such as Google Drive, Dropbox or WeTransfer.
• Please ensure you include documentation that outlines all logistical and equipment requirements for both the preview and the exhibition of your experience.

As with all other submissions, if the work is not received by the appropriate deadline, the submission will be disqualified, and any and all submission fees paid will be forfeited.

To be eligible for consideration, all submissions must meet the following requirements:

• Films must have been completed after 1 January 2024.
• Films must not have been (or will not be) broadcast on television or publicly screened, distributed or exhibited in a physical location within the state of Victoria, Australia, prior to 25 August 2025. The only exceptions to this requirement are private screenings for cast, crew, and/or investors and film-school graduation screenings.
• Films must not have been (or will not be) available commercially online and accessible from the state of Victoria, Australia, either for free or via on-demand services prior to 25 August 2025. Screenings as part of a digital or online festival are permitted if the festival is for a limited run, and access by Australian viewers is prohibited via geoblocking.
• Films where the original language is not English must provide subtitles in English.

Please note:

• MIFF reserves the right to program films that do not adhere to the above eligibility requirements.
• These regulations are specific to MIFF 2025 only and do not indicate eligibility for any future iterations of the festival.

It is the sole responsibility of the Submitter to:

• secure permission from the rights holders of any and all copyrighted and/or trademarked content or materials included within the film
• clear all content within the film from any and all actual or potential legal claims and issues, including, without limitation, claims based on theories of libel, defamation, invasion of privacy, violation of rights of publicity, theft of trade secrets, breach of confidence, breach of confidential relationship, and breach of express or implied contract (“Third Party Claim/s”).

MIFF will not be held responsible for any unauthorised inclusion of:

• any copyrighted and/or trademarked content or materials within or relating to the submitted project, including any content or materials that are or may become the basis for any Third Party Claim/s for copyright infringement and/or trademark infringement, trademark dilution or unfair competition
• any content or materials within or relating to the submitted film that are or may be the basis for any Third Party Claim/s.

If any unauthorised inclusion of materials as set out above applies to a submitted film, MIFF reserves the right to forego consideration of that film, or to withdraw the film from confirmed programming – in which case any and all fees paid prior will be forfeited.

IF A WORK-IN-PROGRESS (WIP) IS BEING SUBMITTED, PLEASE READ THE FOLLOWING CAREFULLY.

MIFF does accept submissions of WIPs only if the following conditions have been met:

• The film must be at or beyond picture-lock stage.
• The submission is made during the FEBRUARY (ROUND 5) submissions period ONLY. If a WIP is submitted during any other submissions period without any prior discussion with the submissions team, MIFF will disqualify the submission and submission fees will not be refunded. NO EXCEPTIONS.

MIFF does not have the capacity to review updated versions of a WIP as they become available. The Submitter accepts that the submitted WIP version is the ONLY VERSION that will be considered before a selection decision is made. If the film is selected based on the submitted WIP version, the Submitter will need to provide the final version for festival exhibition, so please be sure your WIP can be completed prior to August 2025.

Please think carefully about whether or not you should submit the film as a WIP (see Point 8). If you have any queries regarding WIPs, or if you have a WIP XR experience you want to submit, please email submissions(at)miff.com.au.

If a film has previously been submitted to MIFF, it is not eligible for submission to the 2025 Festival. This also applies to WIPs that have previously been submitted, even if they have undergone significant changes.

• Submission to MIFF is with the understanding that selection may be for any and all exhibition formats that constitute MIFF 2025, including in-cinema screenings, digital exhibition or both.
• All Submitters will be notified of an outcome by end of June 2025. Festival programmers select and invite all films presented at MIFF. If the Submitter’s contact details change during the submissions period, you must inform MIFF via submissions(at)miff.com.au.
• If the film is selected to screen at MIFF 2025, it must be made available in one of the following formats, received by MIFF no later than close of business (5pm AEST) on 14 July 2025:

Shorts and Features

• • 35mm
  • 16mm
  • DCP (DCI Compliant)
  • Pro-Res
  • Other video format compliant with MIFF’s digital platform requirements

XR (inclusive of VR, MR and AR)

• • Android Package (apk)
  • Computer/mobile application
  • 360-degree video

Other screening conditions, if selected:

• If invited to screen for both in-cinema and digital exhibition, the film must be made available in formats appropriate for both settings.
• The Submitter must provide a minimum of three (3) digital copies of stills from the film via email or WeTransfer (minimum image specifications: 300dpi, JPGs or JPEGs only). Electronic Press Kits (EPKs), digital posters, director headshots and social media handles may also be supplied to MIFF, but are not mandatory. Please note: MIFF may supply these materials to third parties for the purpose of editorial coverage of MIFF. These materials may also be used for MIFF’s publicly available print publications and print products as well as online media (MIFF website/s, MIFF mobile application/s and MIFF social media channels), where they will remain available without any time or territorial restrictions. Please be aware that MIFF cannot make photographer attributions within our printed or online guides.

If selected, MIFF strongly encourages the Submitter to supply closed captions and/or audio description so that the film can be viewed by audiences with access requirements.

MIFF abides to:

• Insure exhibition materials, including but not limited to film prints or DCPs, for the duration of the film’s stay in Australia and during transit to the Festival; all incoming freight charges will be covered by the Festival.
• Not hold any more than four (4) screenings of any submitted film exhibiting at a physical location (excluding XR). An expanded capacity for digital exhibition may apply.

As part of your submission to MIFF, additional to consideration for the overall festival program, your film may be considered for several specific feature or shorts award contexts within the festival.

For terms and regulations governing eligibility and consideration into these awards, please visit the Elevated Consideration for MIFF Awards and the Short Film Competition Regulations pages, respectively.

All correspondence from MIFF regarding FilmFreeway submissions will be sent via FilmFreeway, directly to the email address of the Submitter, or through third-party email campaign software. Please do not unsubscribe from MIFF communications, as you may miss key updates.

Although MIFF takes every precaution to ensure that messages are sent to the Submitter via email, MIFF disavows any responsibility for messages not delivered to the email address supplied. MIFF recommends that Submitters regularly log in to FilmFreeway to ensure that the submission has been completed (including, but not limited to, payments and screener uploads), that the supplied email address is correct and up-to-date, and that the film’s status has changed to ‘In Consideration’ within two weeks of submitting.

MIFF’s selection decisions are final and no correspondence will be entered into. MIFF does not provide critical analysis or feedback.